Rihanna “Popstar” Biography, Age, Husband and Children

Following the career-pivoting Rated R, 2010’s Loud offered a welcome return to the West Indian artist’s earlier sound. Rated R showcased Rihanna’s undeniable star power, and allowed her to shed her good-girl image once and for all. Badgal RiRi returned to her dancehall roots on her fifth No. 1 “Rude Boy,” which offsets the album’s harrowing motif. The singer had grown in leaps and bounds while taking musical risks, even penning nine of Rated R’s 13 tracks (she had no writing credits on Good Girl Gone Bad). Following three multi-platinum albums in a three-year span, Rihanna’s rebranding as a rebel at heart reached its apex.
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.

  • In 2005, she became the first artist to sign with Syndicated Rhythm Productions, the production company founded by Rogers and Carl Sturken.
  • Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
  • Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s.
  • In December 2013, she topped both the Billboard Hot 100 and UK Singles Chart with a feature on Eminem’s song “The Monster”.
  • (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration.
  • As a pioneer of the music industry, her earnings from album sales, touring, and streaming have consistently placed her among the top earners in entertainment.
  • The album’s lead single, “Tim McGraw,” an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them.

Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.

Anti

Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move in with Rogers and his wife in Connecticut and work on recording a demo album.
In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013). In 2023 she returned to the stage for the first time in some four years, performing at the Super Bowl halftime show. Included in the total were prominent collaborations with hip-hop artists T.I. The album that followed later that year, Rated R, much of which she cowrote, was marked by icily stark production and brooding lyrics that touched on revenge. With the effervescent dancehall-inflected single “Pon de Replay” (2005), Rihanna immediately captured an international audience.
In addition to her film roles, Rihanna made notable television appearances, including recurring parts in the psychological thriller series “Bates Motel” in 2017. This hit catapulted her to international fame, earning her first Grammy Award and redefined her image as a confident and edgy artist. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in Barbados, swiftly ascended to global stardom after signing with Def Jam Records at just 16.

An Unapologetic Queen

The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
Rihanna also said that Carey’s “Vision of Love” (1990) was the song that inspired her to pursue a career in music. Vulnerability is explored on the pop and synth-pop record Unapologetic (2012), which Vulture described as an “act of defiance … to sort out her feelings about her … ex-boyfriend Brown and her public image”. Rihanna’s rock-imbued record Rated R (2009), released after the assault by her then-boyfriend, Chris Brown, had a much darker tone and was filled with various emotions she experienced since then.
To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.

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Her musical career has been marked by experimentation, and she has stated that her goal was “to make music that could be heard in parts of the world that I’d never been to”. She began vocal training during the recording of Good Girl Gone Bad (2007) under the guidance of Ne-Yo, who taught her breathing techniques and vocal delivery. The song earned her nominations for the Golden Globe and Academy Award for Best Original Song. Alongside Donald Glover, she starred in the film Guava Island (2019), in which she played his character’s love interest.

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Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
This initial success paved the way for her subsequent albums and chart-topping singles, solidifying her status as a pop powerhouse. Just months later, Rihanna released her first single, “Pon de Replay,” which quickly climbed the charts and established her as a formidable newcomer in pop music. The pop star has an impressive 64 songs on the Billboard Hot 100 chart, including 14 No. 1 hits and 32 tracks in the top 10.

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A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording betista casino Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).

  • A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
  • When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has.
  • If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record.
  • Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free.
  • Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career.
  • In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013).
  • It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.

Chris Brown

As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. Midnights helped further solidify Swift’s larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift’s 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).

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